It can be played on guitars in the key of E and capoed up one fret to F. But it still does not have quite the energy of the key of G. (In fact, one hymnal that notates it in the key of F also includes a final chorus in the key of G – just to get that energy back!). In my years as a choir director, I have come up with a whole bag of tricks for adjusting printed music to the specific voices I am working with at a given time. Sometimes there can be a work-around by moving the melody to a different voice and shifting the harmonies, and of course other types of revisions can help. Take, for example, the hymn "Victory in Jesus." Download a cheat sheet for your worship planning with all 175 songs printed on the front and back of one sheet. Before You Panic: Thoughts on Congregational Singing an... How to Create a Virtual Choir (Band, Praise Team, Orche... What Will Worship Look Like as COVID-19 Restrictions Re... 15 Encouraging Keys (And 10 Benefits) to Family Worship, Improving Your Online Worship Experiences. It gives the song great energy, but it's hard to sustain, unless those notes are comfortable in your own voice. Aficionada (author) from Indiana, USA on October 04, 2013: That really is fascinating! Maybe I should have added in this Hub that the idea of watching the range relates primarily to times when people are all trying to sing the same pitches. There are hundreds of good group names to browse through. But the idea is the same. 7 Questions to Ask About the Length of a Worship Servic... A Look at a Multicultural Church That Finds Great Expre... Trends and Paradigms in Worship with Mike Harland. Not to contradict myself, but one thing I have learned recently – from a voice professor at a major university – is that it is actually better for a voice to warm up with higher notes (rather than lower ones – as I was taught, way-back-when), because doing so engages correct breathing earlier in the process of warming up. Just thought you might like to know – but use this knowledge judiciously! When a group sings a song in a too-high key, the result is a strained sound (and perhaps some strained feelings along with it); and when a group sings a song in too low a key for them, then it sounds depressed, downhearted and discouraged. Baptist State Convention of North Carolina, 10,000 Reasons (Bless the Lord) (Jonas Myrin, Matt Redman), All The Poor and Powerless (All Sons and Daughters), All Who Are Thirsty (Brenton Brown, Glenn Robertson), Amazing Grace (My Chains Are Gone) (Chris Tomlin, Louie Giglio, John Newton), At the Cross (Love Ran Red) (Chris Tomlin), Awesome Is The Lord Most High (Chris Tomlin, Jesse Reeves, Cary Pierce, Jon Abel), Because He Lives (Gloria Gaither, William J. Gaither), Before the Throne of God Above** (Charitie Lees Bancroft, Vikki Cook), Blessed Be Your Name (Beth Redman, Matt Redman), Broken Vessels (Amazing Grace) (Joel Houston, Jonas Myrin), Build My Life (Brett Younker, Karl Martin, Kirby Elizabeth Kaple, Matt Redman, Pat Barrett), Build Your Kingdom Here (Rend Collective), Call Upon The Lord (Chris Brown, Steven Furtick), Came To My Rescue (Joel Davies, Marty Sampson, Dylan Thomas), Chain Breaker (Jonathan Smith, Mia Fieldes, Zach Williams), Christ Is Enough (Jonas Myrin, Reuben Morgan), Come As You Are (Ben Glover, David Crowder, Matt Maher), Come Now Is The Time To Worship (Brian Doerksen), Cornerstone** (Edward Mote, Eric Liljero, Jonas Myrin, Reuben Morgan, William Batchelder Bradbury), Death Was Arrested (Adam Kersh, Brandon Coker, Heath Balltzg), Do It Again (Chris Brown, Mack Brock, Matt Redman, Steven Furtick), Even So Come (Chris Tomlin, Jason Ingram, Jess Cates), Everlasting God (Brenton Brown, Ken Riley), Fierce (Chris Quilala, Joshua Silverberg, Mia Fieldes), Forever Reign (Reuben Morgan, Jason Ingram), Friend Of God (Michael Gungor, Israel Houghton), Give Me Faith (Chris Brown, London Gatch, Mack Brock, Wade Joye), Glorious Day (Jason Ingram, Jonathan Smith, Kristian Stanfill, Sean Curran), Glorious Day (Living He Loved Me) (John Wilbur Chapman, Mark Hall, Michael Bleecker), Glory To God Forever (Steve Fee, Vicky Beeching), God Is Able (Ben Fielding, Reuben Morgan), God Of This City (Aaron Boyd, Richard Bleakley, Ian Jordan, Andrew McCann, Peter Kernaghan, Peter Comfort), God Of Wonders (Marc Byrd, Steve Hindalong), God's Not Dead (Like a Lion) (Daniel Bashta), Grateful (Chris Brown, Matthew Ntlele, Stefan Green, Steven Furtick), Great Are You Lord (David Leonard, Jason Ingram, Leslie Jordan), Great I Am (Jared Anderson) low note adapted, Great Is Thy Faithfulness (Thomas Obediah Chisholm, William Marion Runyan), Hallelujah (Brenton Brown, Brian Doerksen), Here As In Heaven (Chris Brown, Mack Brock, Matthew Ntlele, Steven Furtick, Wade Joye), Here for You** (Jesse Reeves, Matt Maher, Matt Redman, Tim Wanstall), Holy Is The Lord (Chris Tomlin, Louie Giglio), Holy Spirit (Bryan Torwalt, Katie Torwalt), Hosanna (Praise Is Rising) (Paul Baloche, Brenton Brown), How Can I Keep From Singing (Chris Tomlin, Ed Cash, Matt Redman), How Deep The Father's Love For Us (Stuart Townend), How Great Is Our God (Chris Tomlin, Jesse Reeves, Ed Cash), How Great Thou Art (Stuart Wesley Keene Hine), I Could Sing Of Your Love Forever (Martin Smith), I Will Follow (Reuben Morgan, Chris Tomlin, Jason Ingram), I Will Rise (Chris Tomlin, Louie Giglio, Jesse Reeves, Matt Maher), In Christ Alone (Stuart Townend, Keith Getty), It is Well (Kristene DiMarco, Bethel Music), Jesus Messiah (Chris Tomlin, Daniel Carson, Jesse Reeves, Ed Cash), Jesus Paid It All (Alex Nifong, Elvina M. Hall, John Thomas Grape), Jesus We Love You (Hannah McClure, Kalley Heilingenthal, Paul McClure), Jesus, Son of God** (Chris Tomlin, Jason Ingram, Matt Maher), Joy To The World (Unspeakable Joy) (Chris Tomlin, Ed Cash, Matt Gilder, Isaac Watts, George Frederic Handel), King of My Heart (John Mark McMillan, Sarah McMillan), Lay Me Down** (Chris Tomlin, Jason Ingram, Jonas Myrin, Matt Redman), Look To The Son (Joel Houston, Marty Sampson, Matt Crocker, Reuben Morgan, Scott Ligertwood), Lord I Lift Your Name On High (Rick Founds), Lord I Need You** (Christy Nockels, Daniel Carson, Jesse Reeves, Kristian Stanfill, Matt Maher), Love Came Down (Brian Johnson, Ian McIntosh, Jenn Johnson, Jeremy Edwardson, Jeremy Riddle), Man of Sorrows (Brooke Ligertwood, Matt Crocker), Mighty To Save (Ben Fielding, Reuben Morgan), My Heart is Yours (Brett Younker, Daniel Carson, Jason Ingram, Judson Wheeler Van DeVenter, Kristian Stanfill, Winfield Scott Weeden), My Savior My God (Aaron Shust, Dorothy Dora Greenwell), Never Gonna Stop Singing (Matt Vaughan, Ran Jackson, Tom Smith), Never Once (Jason Ingram, Matt Redman, Tim Wanstall), O Come to the Altar (Chris Brown, Mack Brock, Steven Furtick, Wade Joy, O Praise The Name (Anastasis) (Benjamin Hastings, Dean Ussher, Marty Sampson), Oceans (Where Feet May Fail) (Joel Houston, Matt Crocker, Salomon Lightelm), One Thing Remains** (Your Love Never Fails) (Brian Johnson, Christa Black, Jeremy Riddle), Only King Forever (Chris Brown, Mack Brock, Steven Furtick, Wade Joye), Open Up the Heavens (Andi Rozier, James McDonald, Jason Ingram, Meredith Andrews, Stuart Garrard), Our God (Matt Redman, Chris Tomlin, Jonas Myrin, Jesse Reeves), Our God Saves (Paul Baloche, Brenton Brown), Reckless Love (Caleb Culver, Cory Asbury, Ran Jackson), Resurrecting (Chris Brown, Mack Brock, Matthew Ntlele, Steven Furtick, Wade Joye), Sanctuary (John W. Thompson, Randy Scruggs), Sing Sing Sing (Chris Tomlin, Jesse Reeves, Matt Gilder, Daniel Carson, Travis Nunn), Sing to the King (Billy Foote, Charles Silvester Horne), So Will I (100 Billion X) (Benjamin Hastings, Joel Houston, Michael Fatkin), The Lion and the Lamb (Brenton Brown, Brian Johnson, Leeland Mooring), The Lord Our God (Jason Ingram, Kristian Stanfill), The Wonderful Cross (Jesse Reeves, Chris Tomlin, J. D. Walt, Isaac Watts, Lowell Mason), This I Believe (The Creed) (Ben Fielding, Matt Crocker), This Is Amazing Grace (Jeremy Riddle, Josh Farro, Phil Wickham), Today Is The Day (Lincoln Brewster, Paul Baloche), Tremble (Andres Figueroa, Hank Bentley, Mariah McManus, Mia Fieldes), Waiting Here for You (Chris Tomlin, Jesse Reeves, Martin Smith), Wake (Alexander Pappas, Hannah Hobbs, Joel Davies), We Believe** (Matthew Hooper, Richie Fike, Travis Ryan), What A Beautiful Name (Ben Fielding, Brooke Ligertwood), Whom Shall I Fear (God of Angel Armies)** (Chris Tomlin, Ed Cash, Scott Cash), Wonderful Merciful Savior (Dawn Rodgers, Eric Wyse), You Are Good (Brian Johnson, Jeremy Riddle), You Are Holy (Prince Of Peace) (Marc Imboden, Tammi Rhoton), You Are My King (Amazing Love) (Billy Foote), You Never Let Go (Matt Redman, Beth Redman), Your Great Name (Krissy Nordhoff, Michael Neale), Your Love Awakens Me (Chris Quilala, Phil Wickham), Your Love Never Fails (Anthony Skinner, Chris McClarney). Now a resource for determining the best keys for congregational songs Click To Tweet. You will need a Spotify.com account to listen to this music (free). When I played piano for worship I would analyze what the best range would be, then simply write the chords above each section of the sheet music (or type out the words and write the chord chages above). Finding the best musical key for group singing can be a challenge, but it can be a pleasant and rewarding challenge. Though everyone's range is specific to their voice, most vocal ranges are categorized within 6 common voice types: Bass, Baritone, Tenor, Alto, Mezzo-Soprano, and Soprano. I was playing what the hymnal said. LifeWayWorship.com has the songs available in the keys shown. How Can Social Distanced Worship Be Good? Sometimes a song may sound more interesting if it is flipped around. For your archives, Baby Karaoke also lets you record only the voice of your kid minus the music. The real first question in finding the best key needs to be:Who will be singing the song? Find more ways to say singing, along with related words, antonyms and example phrases at Thesaurus.com, the world's most trusted free thesaurus. The lowest note should be an A. I learned this little bit (about keyboardists) the hard way. And use these tips to find the range and key that will allow for the best use of your song wherever and whenever it will be performed. Those notes and the ones in between make up the range. An audio of every song is … Even if the range of the song is between C and C’, if most of the notes being sung are at the high end of the range (B's and treble C's), it will still be uncomfortable for the lower voices, and even for some of the higher ones. But there are only four notes in that spot that are outside of the C-C' range: three D's (two of them fairly quick) and an E (rather quick) – normally too high to consider for a congregation. The opposite extreme is the national anthem ("Oh, say can you see"). When choosing a key for group-singing, the range is the first consideration, but not the only one. Start by playing and singing a middle C (a piano or keyboard is best for this - middle C is usually the 3rd or 4th octave C on the keyboard, depending on the range and size of the keyboard or piano you are using. First in our list of the best microphones for singing is Shure SM57. 8) My Voice: An iOs only We were sitting in staff meeting when he said this, and I have to admit that I, a trained musician, bristled a bit at the thought of some little old preacher teaching me something about Christian worship music! Then taught to all the week after. I wasn't so talented as to read the hymnal (and, by the way, it's nearly impossible to play what's printed with just two hands! If someone phoned and told me their 9-year-old daughter wanted singing lessons , I used to say “no” straightaway and suggested they’d rather go and look for a children’s choir or something similar. Criteria for determining the keys is located below the table. The Ideal Keys are the ones best suited for congregational singing of that song. This is unacceptable., and is easily remedied. Tags: Singing, music education, young children, The Tuneables Young children sing in tune best when the first several songs they learn are in the key of D. This key places the child's voice in the optimal singing range, neither too 7 Reasons an Unexpected Short Phone Call from a Pastor/... Economize: Worship Service Verbal Transitions, 9 Ways to Pray for Church Leaders This Week. So, if you think in So if you looking for a singing career for your kid, then Baby Karaoke is the best platform to give it a start. They're lucky to have you!! Engage Your Choir with a Virtual/Live Hybrid Experience. "Don't You Want Me?" The best way to become a better singer is to work on singing exercises that help you improve your tone and technique. (We’re all familiar with the sustained “Haaaaaa….” before the He said that most people – all voices – can sing fairly comfortably in the range from middle C to the C' above (for men, it's the full octave lower, of course). Children’s Worship University Brings the Nation... How to Help Our Pastors in This Hard Season of Ministry. The Best Online Collaboration Software for 2020 The best online collaboration tools boost productivity by helping teams work together more efficiently. BEST SINGING TIK TOK COMPILATION | Part 1I hope y’all enjoy! Take, for example, the hymn "Victory in Jesus." This (noticing the range of notes) is a concept I first learned from an old Baptist pastor, and he was talking about singing the beautiful traditional psalms and hymns found in hymnals, not the praise singing of today's contemporary worship styles. The range should fit an average singer. Would you be willing to look at the sheet music and offer advice? Judah's Daughter from Roseville, CA on May 03, 2010: Sounds like you have a lot of valuable music knowledge to help vocalists and instrumentalists. Those key suggestions are noted in parentheses with the best key(s) possible with the understanding that there are outliers in the melody. No matter what key it is played in or sung in, it will have an atrocious range, so the problem with that song is to find the key where MOST of the notes fit the best congregational range, and where the lowest and the highest notes are more or less acceptable – that is in the key of Ab, which is the key most hymnals use for it. But since that leaves out a whole lot of contemporary worship music, that may not be something you need to think about at all. :) I love the sound (prefer it) myself. 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